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127 Hours (2011)
The adventurous journey of mountain climber Aron Raiston who after been trapped in a canyon begins to examine his life and reason not to die there in.
1956, Deventer, Overijssel, Netherlands
1 December 1951, Rowayton, Connecticut, USA
30 October 1982, Meudon, Hauts-de-Seine, France
30 June 1982, Los Angeles, California, USA
October 05, 2012
127 Hours is an inspiring dramatic thriller with creative direction by Danny Boyle and a commanding performance from James Franco.November 18, 2010
The nightmare becomes a tribute to Ralston's bravery -- without casting him as a hero. He just got tired of waiting to die and decided to live.November 24, 2010
Boyle has always been an exceptionally stylish director, and, despite its limited setting, 127 Hours is a marvel of visual eye candy.January 27, 2013
You can know how this misdaventure came out and still be moved by this mystical/moving and miraculous film.October 14, 2013
beautifully constructed film worthy of the praise it has received during its award season runMay 03, 2015
So busy and self-consciously virtuosic that the movie undercuts it's own premise.January 10, 2011
At the end, we stagger like Ralston from the dark into the light. We might have both our arms left, but our nerves are just as terrorised.June 30, 2013
Absolutely masterful in both its production and its performances, this drama is easily one of the year's best.November 24, 2010
Boyle is such a gifted filmmaker that, in his hands, 127 Hours is genuinely -- and unsentimentally -- inspirational.November 19, 2010
Directed and co-written by Danny Boyle in a style that travels from ecstatic to nerve-wracking and back, this is a film about perseverance, strength and the importance of always letting people know where you're going.August 12, 2011
It's an incredible performance by Franco, walking the line between what once was enthusiasm but now is manic desperation.October 07, 2015
Mr. Boyle does succeed smashingly in holding your attention, peppering in healthy doses of flashbacks and fantasies between Mr. Ralston's monologues and his attempts to free himself.