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Cop Out
Criminal incidents continue in the lives of two New York police. Jamie and Paul are messy, lawless and distracted in their own way. One of them, Jamie, has long been held by a very old and rare baseball card. His material value is too high for him to steal from him and he was the only hope he could marry his daughter in a proper way. Together to retrieve the card to find that there is a gang of madmen and Mahawis collecting all the souvenirs that mercilessly stolen.
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11 October 1985, New York City, New York, USA
3 October 1976, Cottage Grove, Minnesota, USA
25 April 1970, Orange, California, USA
19 July 1968, Bayonne, New Jersey, USA
24 May 1981, New York City, New York, USA
April 04, 2011
Smith's love of long takes where people talk about nothing in particular just isn't right for this movie.
February 26, 2010
It just wants to remind audiences of something they've enjoyed before, like looking at an old photo album.
August 25, 2010
A half-baked concept halfheartedly executed.
February 27, 2011
O roteiro estúpido só não se revela pior do que a direção amadora de Smith, que, também assinando a montagem, não consegue criar lógica ou estabelecer ritmo algum, demonstrando que ainda não aprendeu nem o básico da profissão depois de tantos anos.
March 09, 2011
Even if many of the jokes in Cop Out aren't all that funny, Smith's facility with crude wordplay is what he salvages from this huge mess of a film.
May 20, 2010
[A] pitifully unfunny 'hommage' to '80s action comedies.
October 02, 2010
Cop Out feels like a pilot lost without 20 or so episodes to follow it up.
February 26, 2010
Smith certainly does his thing here, delivering a film that's part celebration and part parody of the well-worn genre.
February 26, 2010
Cop Out is a little too well-shot to be full-on cheesy and too much a redux to be, well, as fresh as Beverly Hills Cop or Lethal Weapon.
May 06, 2011
Joyless, pointless, humorless.
March 18, 2011
Cop Out is marvelously juvenile, not just in its typical situation comedy and sight gags, but from its ability (even desire) to frequently bring its plot to a shuddering halt so its characters can engage in a few minutes of quiet ridiculousness.