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Equity
A senior investment banker (Anna Gunn) attempts to navigate the cutthroat world of Wall Street while a prosecutor (Alysia Reiner) keeps an eye out for corrupt practices, threatening to derail the career she's built.
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6 December 1945, Middletown, Connecticut, USA
25 August 1968, Hartford, Connecticut, USA
18 August 1964, Rye Brook, New York, USA
21 July 1970, Gainesville, Florida, USA
8 July 1965, Ivoryton, Connecticut, USA
21 June 1967, Macon, Georgia, USA
September 25, 2016
...a mostly successful skewing of stereotypes...
August 11, 2016
It's an exciting, smartly sexy, suspenseful little crime drama that evokes classic Hollywood film noir.
August 12, 2016
It's [an] admirable move, but not a successful one.
September 27, 2016
Meera Menon's coolly framed compositions reveal how the "pure American desire" of corporate success is weighted against them.
September 30, 2016
Unlike The Big Short, it's not so much the system that's busted here but the people, women and men. The ending is perfect, and all too true.
October 10, 2016
Equity is a bizarre movie that manages the near-impossible feat of making a financial drama from an entirely female point of view without being in the slightest bit feminist.
August 25, 2016
"Equity" is that rare thing: a Wall Street-set movie that focuses on women. (It's also directed and written by women, also still rare.)
September 29, 2016
It's hard to think of a movie that passes the Bechdel Test with more flying colours than this smart and entertaining corporate thriller about female investment bankers on Wall Street.
August 12, 2016
An expertly crafted financial thriller.
August 11, 2016
The film is humanist rather than overtly feminist, since it shows the high personal cost of trading conscience for filthy lucre. But it's certainly novel to have a financial drama led by women.
August 26, 2016
A shrewd tale about women on Wall Street and the glass ceiling, corruption and back-stabbings they face from their male co-workers and one another.
December 08, 2016
Depictions like in Equity, refusing to conform to stereotypes or caricatures, are the depictions we need in today's society.