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Manolo: The Boy Who Made Shoes for Lizards
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DIRECTORS OF "Manolo: The Boy Who Made Shoes for Lizards"
Manolo: The Boy Who Made Shoes for Lizards
CRITICS OF "Manolo: The Boy Who Made Shoes for Lizards"
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KDHX (St. Louis)
Resource

October 12, 2017

Director Michael Roberts, a fashion writer by trade, has produced a fluff piece, albeit a pretty one.
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Chicago Reader
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September 21, 2017

Frothy but entertaining.
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San Francisco Chronicle
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September 27, 2017

As an interview subject, Blahnik can be elusive, although his descriptions of his favorite creations throughout the years will no doubt be extracted as brand poetry for future advertising campaigns.
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Fresh Fiction
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November 04, 2017

The humble artist gets a loving tribute wrapped in a slick promotional package. However, it only scratches the surface whilst getting to the heart of the genius.
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Gay City News
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December 19, 2017

For the legions of fans who will see "Manolo," the film's drawbacks may not be an issue, except that they take away from the time spent showcasing the shoes.
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Radio Times
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December 26, 2017

Those who are sceptical shoes can be an art form may not quite be won over, yet to see the septuagenerian Blahnik at his drawing board is to witness inspiration at work.
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TIME Magazine
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October 05, 2017

You may not be able to afford the shoes, but Michael Roberts' documentary Manolo: The Boy Who Made Shoes for Lizards may bring you almost as much delight.
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Newport This Week (RI)
Resource

December 13, 2017

"Manolo" is a portrait of a singular creative genius who, thankfully, found a way to share his artistry with the world.
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Washington Post
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September 28, 2017

Talking-head interviews interspersed with reenactments reminiscent of cheap true-crime shows are the filmic equivalent of a polo shirt and khakis: blandly acceptable but uninspired.
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The New Republic
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September 25, 2017

The movie is extraordinary for its access to [Manolo] Blahnik, who is arch and funny and sweet beyond words.
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San Diego Reader
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October 20, 2017

Recreations of the master's past are laughably bad: a numbing state of self-congratulatory and overly theatrical theatricality appears to have stricken all participants. So why was I never bored?
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Film Threat
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December 29, 2017

Ultimately, Manolo: The Boy Who Made Shoes For Lizards is better at capturing the tones of the times visited rather than proving the significance of its subject.
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