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Scarface
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Scarface
CRITICS OF "Scarface"
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Mania.com
Resource

December 11, 2013

By ignoring its massive, toxic, nuclear-fallout shortcomings, it finds its way to the hallowed status of camp classic.
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Time Out
Resource

February 09, 2006

An unashamed study of selfish, sadistic criminality, and all the better for it.
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ReelViews
Resource

April 30, 2009

Viewed today, while Scarface seems less shocking than it did during its initial theatrical run, it's no more substantive or interesting.
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Suite101.com
Resource

January 03, 2014

One fundamentally dishonest character choice launched a billion-dollar industry. But it hardly sours a film that became a garishly ghoulish, bleakly funny and compulsively watchable template for modern-criminal deconstructions of the American Dream.
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People Magazine
Resource

July 30, 2014

Characterization and plot go out the window. Arms are cut off with chain saws. By the third hour everything is out of control.
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Radio Times
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July 30, 2014

The sharp, if expletive-ridden, dialogue in Oliver Stone's script and the vivid cinematography of John A Alonzo help make De Palma's urban shocker a modern-day classic.
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TIME Magazine
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July 30, 2014

It is a serious, often hilarious peek under the rock where nightmares strut in $800 suits and Armageddon lies around the next twist of treason.
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Christian Science Monitor
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July 29, 2014

[Brian DePalma] apparently considers ''money isn't everything'' an original and profound message.
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Variety
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February 23, 2012

Performances are all extremely effective, with Pacino leading the way.
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Washington Post
Resource

February 21, 2007

As stylized social realism gives way to wigged-out Faustian fantasy, the would-be devastating effects have an oddly slapstick effect.
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New York Daily News
Resource

December 09, 2015

Stone sticks all too closely to the dated plot structure of the original movie, and such melodramatic flourishes as Montana's incestuous attraction for his sister now seem completely ludicrous.
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Seanax.com
Resource

March 24, 2016

De Palma directs it as a blood-drenched thug opera, a mix of the graceful and the garish with Pacino's guttural thug-in-a-suit spitting out dialogue like broken glass in a harsh Cuban accent.
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