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Snowden
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Snowden
CRITICS OF "Snowden"
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MetroActive
Resource

December 31, 2016

Stone explains Snowden with ease: he turned whistleblower because The Man went after the woman he loved. The problem, as in Citizenfour, is that Snowden is telling a story that isn't finished yet.
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Detroit News
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September 16, 2016

If Snowden's story wasn't real, Stone would have made it up. So why does Stone's movie feel so toothless?
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Christian Science Monitor
Resource

September 16, 2016

It's a fawning piece of work.
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Daily Star
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December 31, 2016

Depending your politics, Snowden's revelations about the US secret electronic surveillance system make him a patriot or a traitor. Stone is so determined to show him as the former, he also makes him a bit of a bore.
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Japan Times
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January 25, 2017

Joseph Gordon Levitt gives a stolid and precise performance in the lead role , but Stone warms him up by focusing on Snowden's long-term romantic relationship with dancer Lindsay Mills (Shailene Woodley).
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Seanax.com
Resource

January 26, 2017

Stone champions mavericks who challenge the status quo in the name of justice and the ideals of the American experiment and Snowden is his kind of American hero, the moral voice in an amoral world...
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New Yorker
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September 26, 2016

Stone's flashy filmmaking, including grand set pieces in enormous secret facilities, can't conceal his flat, thin, psychology-free depiction of a modest and self-sacrificing hero who single-handedly changed the politics of our time.
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Graffiti With Punctuation
Resource

January 13, 2017

"Snowden" is a film that should frighten us, but instead it seems to garner shrugs of "yeah man, it sucks."
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Newsweek
Resource

September 22, 2016

As Snowden, Gordon-Levitt is so muted, so cloistered, that it can be easy to miss that it's a very good performance.
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New York Magazine/Vulture
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September 16, 2016

Stone is so intent on making Snowden an icon that he scrubs him of his nuances, his individuality.
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AV Club
Resource

November 15, 2016

Stone collects all of the silliest clichés about computing in a grab-bag aesthetic that tries every kind of pointlessly filtered or grainy look, but can't seem to fake a convincing webcam shot.
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Flick Filosopher
Resource

April 03, 2017

A gripping précis of what Edward Snowden learned at the CIA and NSA, why he went public, and why it matters. Entertaining yet also deeply unsettling.
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