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The Dead (2010)
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The Dead (2010)
CRITICS OF "The Dead (2010)"
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Total Film
Resource

September 07, 2011

With its desiccated plains and rotting crops, the Africa depicted in the Ford Brothers' zombie flick proves an evocative setting.
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Dread Central
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February 25, 2012

The Dead reveres the films that came before it and wears its love for them on its sleeve.
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Minneapolis Star Tribune
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October 06, 2011

Beyond its auspicious premise -- survivors fighting a zombie outbreak against the continent's scorching vistas -- there's little else to chew on here.
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Austin Chronicle
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October 07, 2011

The film provides a whole new way of looking at the same old dead things. Eat up.
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Slant Magazine
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October 10, 2011

The ironies of the white man having to face potential extinction in a country infamous for racially tinged violence is too neat.
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Charlotte Observer

October 14, 2011

The Ford brothers' take on this tradition offers a fair number of shocks and the arm-chomping that is de rigueur mortis for this genre. Yet it has things to say, mostly by implication, before a finish that took me by surprise.
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Village Voice
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October 11, 2011

The Dead, with its vast, pitiless landscapes and moral seriousness, is Night of the Living Dead reimagined as a Sergio Leone western. It's a knockout.
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Bryant Frazer's Deep Focus
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October 07, 2011

You get used to the sight of the slow-moving undead swaying against the film's natural landscapes like half-imagined phantoms, and somehow that makes them more unnerving.
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Los Angeles Times
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October 07, 2011

"The Dead," evocatively filmed in grainy 35mm, might carry the cinematic vibe of an old-school, flesh-eating adventure, but as it should be with stories like this, it's not a pretty picture.
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Cinema Crazed
Resource

May 23, 2013

A dread filled homage to the classic zombie pictures of the seventies and eighties...
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New York Times
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October 13, 2011

A long, chemistry-free slog through the zombified countryside.
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KPBS.org
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January 21, 2012

The Dead is not the great zombie film I was hoping for but it does deliver a more grown-up horror film that eschews gimmicky shakycam and CGI to try and tell a real story, and for that I am appreciative.
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