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The Fall
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The Fall

Description
In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little immigrant girl recovering from a fall, a fantastic story of five mythical heroes. Making sure he keeps the girl interested in the story he interweaves her family and people she likes from the hospital into his tale.
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DIRECTORS OF "The Fall"
The Fall
CRITICS OF "The Fall"
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Jean Lowerison
Resource

October 18, 2008

The story Roy tells is involving enough and so beautifully shot (see how many locations you can name) that it's worth seeing for that alone.
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James Berardinelli
Resource

May 30, 2008

Sometimes, looking good isn't enough.
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John Hartl

May 30, 2008

Pace and Untaru generate an unforced chemistry that makes them pleasant company for a couple of hours, but they almost work against the movie's need to establish narrative tension. They appear to be having such a good time that Roy's self-destructive impu
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Marc Savlov
Resource

October 18, 2008

Tarsem has found a home for his endlessly unique visions, and (wouldn't you know?) it's beyond artifice and stealing toward art.
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Walter Chaw
Resource

June 09, 2009

I wonder if it's unforgivable heresy to say The Cell is badly underestimated and due for revisionism while The Fall, despite its relative obscurity, is badly overestimated.
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Ken Hanke
Resource

July 06, 2010

Often praised -- and rightly so -- for its incredible visuals and nonstop stylishness. I have no problem with that, except that I'm equally taken by its thematic implications.
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Bill Stamets
Resource

December 17, 2008

The girl and the hospital patients and staff also turn up in his improvised adventure, extravagantly garbed by costume designer Eiko Ishioka.
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Nick Rogers
Resource

November 07, 2008

Something like a Sir David Lean epic crossed with trippy offshoots of tall tales of Zorro, Ali Baba and Pecos Bill rolled into one, The Fall is a sun-kissed companion to Guillermo del Toro's Pan's Labyrinth. A brilliant follow-up from Tarsem Singh.
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Trevor Johnston
Resource

October 03, 2008

The pacing drags and the clichéd tussle between childhood innocence and adult disillusionment can only go one way. Better to experience it than think about it, fair to say.
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Peter Hartlaub
Resource

May 30, 2008

An achingly beautiful movie and a triumph of location scouting, with more cosmopolitan spectacle than the past three Indiana Jones and James Bond movies combined.
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Mark Bourne
Resource

February 02, 2009

...a movie that not only expected me to pay attention, it assumed that I could.
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Kelly Vance
Resource

August 15, 2011

So what if the front story is a little contrived?
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