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The Twilight Saga Eclipse
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DIRECTORS OF "The Twilight Saga Eclipse"
The Twilight Saga Eclipse
CRITICS OF "The Twilight Saga Eclipse"
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Big Hollywood
Resource

December 25, 2012

This third "Twilight" film eclipses its predecessors but its anti-climactic story and its melodramatic tendencies still hold it back."
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Christian Science Monitor
Resource

June 30, 2010

As always, the biggest screams emanating from the audience come when Lautner bares his chest.
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Star-Democrat (Easton, MD)
Resource

November 05, 2011

It is not exactly praise to call 'Eclipse' the best film in 'The Twilight Saga' to date.
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TheMovieReport.com
Resource

February 06, 2012

Like Bella, non-fans have a choice, and making a choice to stay away may save one some bewilderment.
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Examiner.com
Resource

September 25, 2012

[For] "Eclipse," it was easy to go through the list of old complaints and check them off one by one as the film progressed, including a story that leads absolutely nowhere.
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Time Out
Resource

July 06, 2010

The biggest problem remains the characters: neither Slade nor Stewart are capable of turning manipulative whinger Bella into anything more than a joyless black hole sucking the life from every scene.
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Ultra Culture
Resource

November 17, 2011

This may be Slade's film but it's Summit's franchise, so any individuality he might wish to imbue in Eclipse comes a distant second to the needs of the series at large.
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Newsday
Resource

July 01, 2010

In a rare moment of insight, the teenage but immortal vampires in The Twilight Saga: Eclipse complain about being "frozen" in their lives, unable to "move forward." So is everyone involved in this deathtrap of a franchise.
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Slate
Resource

June 30, 2010

The choice of whether to see Eclipse isn't really a question of whether the movie is good or bad. It's a question of whether or not the movie speaks to your secret, unregulated, inherently ridiculous experience of identification and desire.
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indieWire

July 07, 2010

All three actors are comfortable with their characters, and Slade finds the right balance of action and romance; the story feels organic. Some of the dialogue is earnest and silly, but the core strength of the Stephenie Meyer novels is here: the battle be
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The Aristocrat
Resource

September 29, 2012

Edward is cold and controlling: the archetype of an abusive partner and Jacob just acts like a rapist in training, he keeps trying to kiss Bella against her will.
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